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Messages - Yah Fu "the Pen Bender"

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16
Yes I have thoughts,1st of all 7th year in a row is not true, 2005 Allbuquerque, 2006 & 07 Austin, TX & 2010 St. Paul all west of the Mississippi. Thought you might need to know that!

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Also if any poet, lover of poetry, event organizer want to give some advice & have experience on how to effectively market the poetry slam to an international audience, feel free to give advice I' am all ears on learning.

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Ladies & Gentlement, Spoken Innovation Lietarary Organization president Don "Yah Fu" Mitchell was interviewed by Dominick Cross of the Independent Weekly and promoted the Poetry Slam Inc. 2012 Individual World Poetry Slam in Fayetteville, AR.

Spoken Innovation Literary Organization sponsors the Spoken Innovation Poetry Slam Series in which we are rapidly approaching the 2nd slam in a five open slam series March 8 @ Frankie's Burger 427 Jefferson Street downtown Lafayette the official venue of the Spoken Innovation Poetry Slam. That will cuminate into a three day poetry slam @ Parish Ink during the 25th Annual Festival International Celebration where an expected 10,000 people from all over the world will be in downtown Lafayette.

So lets celebrate PSI for this huge accomplishment as I, Don Mitchell will try my best to encourage as many people as possible to promote Poetry Slam Inc. Sponsored events.

The link to the full page artical is http://www.theind.com/arts-a-entertainment/86-aae/9923-get-slammed-at-festival-international
Thank You My Fellow Poets


19
General Discussion / Re: Question About A Rule
« on: July 20, 2011, 01:21:48 AM »
I mean the poet walks on stage and start singing someone else song and it goes on for 2 minutes and 30 seconds, then they start reciting there original poem for 30 seconds at the 3 minute mark the performance is done

20
General Discussion / Re: Question About A Rule
« on: July 19, 2011, 01:36:17 PM »

[/quote]

So if you have a significantly larger amount of content that is NOT written by the performer (more than 50%), you most assuredly have ceased to be performing your own, created work.

-Jesster
[/quote]


Thank you my point exactly so in this instance a 2min song from someone else in a 3 minute poem is not that poet original poem

21
General Discussion / Re: Question About A Rule
« on: July 19, 2011, 12:34:00 PM »
Or let me rephrase performed a 30 second poem to a 2 minute and 30 second song

22
General Discussion / Question About A Rule
« on: July 19, 2011, 12:28:15 PM »

I know the rules state that sampling is OK while in a slam to some degree.

But what if a poet gets on stage and 2+ minutes of their performance is the poet singing someone else song
Its like they sung for 2 minutes and 20 something seconds did a 30-35 second original poem.

My question is that fair?

23
General Discussion / Re: I have two simple questions
« on: May 31, 2011, 05:29:44 PM »
Oh ok thank you very much

24
General Discussion / I have two simple questions
« on: May 31, 2011, 12:29:14 PM »
What is a gauntlet slam?

And what is the structure of it?

25
Miami’s budding world of poetry and spoken-word performance lost a defining voice early Sunday after gunmen shot and killed local poet Will “Da Real One’’ Bell outside the North Miami cafe where he had plied his trade for years and given a venue to countless other wordsmiths.

Bell, 47, whose performances have been featured on HBO’s Def Poetry Jam, had just closed his business, the Literary Cafe and Poetry Lounge on 933 NE 125th Street, at about 12:40 a.m. and was walking to his car nearby when another car occupied by at least two men pulled up beside him, said Lt. Neal Cuevas of the North Miami Police Department.

A gunman leapt out from the passenger seat and fired multiple times at Bell, who died on the scene, Cuevas said. The men then fled in the car, but did not take any of Bell’s possessions, which included cash and jewelry.

“We don’t have a motive right now,’’ Cuevas said.

Several witnesses, who had been inside The Literary Cafe earlier that night, offered police differing descriptions of the suspects’ car color as light and dark, with a spoiler on the rear.

Bell will be missed in South Florida’s poetry and spoken-word performance scene, where he loomed as a local laureate, having achieved national recognition with performances on Def Poetry Jam and on albums by artists such as Miami’s Pit Bull, and hosting open-mic nights at his Literary Cafe and other venues.

Standing nearly 6-feet-5, Bell cast an imposing presence on stage, where he delivered prose honed from a life of poverty, fatherlessness, crime and prison — before finding redemption through words.

Shawn Elliot, a musician and poet who befriended Bell at a Miami reading in 2006, said Bell possessed a commanding stage presence and a big heart to match.

“Just his voice alone was very demanding,’’ Elliot said. “Like when he spoke, people paid attention. He just had that tone in his voice... It cut the room, and you would pay attention.’’

Bell would frequently open for lesser-known poets at local readings as a way to cultivate talent, and volunteered his time mentoring disadvantaged children, Elliot said.

Addonis Parker, a Miami poet and artist, recalled the power of Bell’s words emanated from his personal experiences that informed his poetry.

“What made him different is the element that he came out of, and what he made of his misfortunes. He turned his unfortunate events into gold,’’ Parker said. “The stuff he said, everybody was electrified every time he opened his mouth because you could relate to it.’’

Many who knew Bell where heartbroken. One fan started a Facebook fan page in his honor and by late Sunday afternoon had more than 700 members.

Public tributes for Bell were already being planned. Funeral arrangements are pending.

Bell grew up in the Edison Court Projects on Northwest Third Avenue and 62nd Street, where his single mother moved the family shortly after Bell’s father left them.

In 1989, Bell was arrested for armed cocaine trafficking in his neighborhood. He was convicted, and sentenced to 14 months in prison.

Behind bars, he began writing love letters to an imaginary woman waiting for him “on the outside.’’

After showing his letters to a fellow prisoner, who encouraged his prose, Bell and the prisoner began a business ghost writing loves letters for other inmates in exchange for commissary items.

When he left prison in 1990, Bell left poetry behind. It took another decade before the muse struck Bell once again at an open mic poetry reading.

After signing up in 2001 for Lip, Tongue & Ear, a weekly, open-mic poetry competition for poets, Bell was hooked.

He won successive contests, eventually earning the title of Lip Tongue & Ear’s Poet Laureate of Miami-Dade in April 2003, a designation he held for a year.

It didn’t take long for Bell to launch a career in poetry with CDs, and performance and promotion fees. His big break came in 2004, when he performed on Def Poetry Jam.

Bell opened the Literary Cafe in summer 2003, with a vision of giving poets a place to perform their art.

Police ask that anyone with information on this crime contact the North Miami Police Department 305-891-8111 or Crimestoppers at 305-371-TIPS.

Read more: http://www.miamiherald.com/2011/05/29/2241101/popular-north-miami-poet-cafe.html#ixzz1NnN6kpld

26
General Discussion / Just Wondering
« on: April 30, 2011, 06:07:04 PM »
What happen to the Top 10 Haikus that was supposed to be posted by yesterday?

27
General Discussion / Re: International exemption from W&YI?
« on: March 25, 2011, 12:14:52 PM »
My understanding is a venue can pay the $125 and be classified as a registered venue and can play in Win & Your In but the poets that represents that registered venue must be PSI members and in good standing. That registered venue will get a win and your in ranking but can not got to Nationals...Where a certified venue has paid the $125 send in all the evidence that a slam is going on on a consistent basics and that venue can play in win and your in and send a team to nationals depending on there win and your in rank 2-0 teams are automatic.

Toronto I would suggest that get with some of the poets that did not make your national team pay the $125 oh get a venue and pay the $125 or you could have a slam to determine the team of that registered venue and the top 4 or 5 poets of that slam compete with the Toronto National Team best 2 of 3 Win and your in that way 1.Poets get experience, 2. You don't have to spend loot for a pass port 3. It will be a family affair 3. and depending on your rank get a spot at Nationals

28
General Discussion / Re: Paging Cassie Poe
« on: July 18, 2010, 04:42:00 PM »
thank you very much for the speedy answer.
Now I know what I need to do thank you

29
General Discussion / Paging Cassie Poe
« on: July 18, 2010, 04:34:48 PM »
I' am trying to get in touch with you...Jesster has agreed to be my proxy at the slam masters meeting during the 2010 NPS.
I have emailed you and left messages to but didn't get a response.

what must I do to make the proxy official so I can attend the 2010 IWPS in Philadelphia as a certified poetry slam.


Thank you very much
Yah Fu

30
Here are the results of the April 30 2010 Spoken Innovation Poetry Slam @ Bisbanos Pizza

1. Poetic Soul

2. Yah Fu "the Prodigal Son"

3. Missiana

4. The Lady Gypsy (welcome back sweetie)

5. Indigo Warrior

6. Chris A.

7. Aaron Felix

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